Reviewed by Christopher Armstead |
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Be sure
to read Lisa’s less than
glowing take on
‘Pacific Rim’ after you wade through
this virtual love fest. Ah, ‘Pacific Rim’…
how long I’ve waited for thee. The
two or three people who regularly read this
site know that I’m no fill snob. I
mean there are reviews for ‘Mansquito’ and ‘Sharknado’ on this
site, and simply admitting you’ve seen
those, let alone wrote semi-coherent prose
about how one kind of liked those movies,
pretty much eliminates one from film snob
status, but I am a monster snob. I
take my movie monsters seriously, and can
engage in geeky discourse with fellow
monster snobs for hours. Thus
when we got word that director Guillermo
del Toro, a fellow monster snob, was going
Kaiju on us… we had to drop the
microphone.
Boom, there it is. A
walk off home run. The
stench of Godzilla 1998 finally removed
from our collective consciousness. Well,
we’ve seen ‘Pacific Rim’, and did we enjoy
‘Pacific Rim’? Oh yeah, mightily
so.
We just have to sneak back on stage
and pick that microphone back up is all. Not
a home run, but a solid double that
bounced off the left field wall. As our
narrator Raleigh Becket (Charlie Hunnam)
will inform us, the alien invasion came
from beneath the seas, not the skies. A
fissure opened at the bottom of our ocean,
creating a portal to a world where giant
monsters, named the Kaiju, would emerge
and completely wreck cities, apparently
for no particular reason other than these
monsters are jerks. While
our conventional weapons did work,
eventually, they were terribly inefficient
and the monster attacks were growing more
frequent. This spawned the Jaeger program,
nuclear powered giant robots, piloted by
two people of similar yoke to control the
left and right hemispheres of these
behemoths.
There were no
better Jaeger pilots than our narrator
Raleigh and his brother Yancy (Diego
Klattenhoff). A pair that could take a
Kaiju down with the best of them… until
that fateful day. Now the years have passed, Raleigh is a wandering soul, the Kaiju attacks have come with more frequency as the monsters are bigger and nastier. The Jaeger program |
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has proved incapable of keeping up
with the monster menace and the world governments
have determined that a big old illegal immigrant
styled monster wall is the cure. Uh… no. So
walls don’t work, the big robots don’t work that
well, and it looks like our only option as a
species is to die off. Not so fast my friends! Marshall
Stacker Pentecost (Idris Elba) has a plan. The
chief of the failing Jaeger program still has a
few Jaeger’s left and he thinks he just might be
able to end this thing once and for all. First
thing he needs to do is track down his old Mark
III pilot Raleigh, then he needs to find a
co-pilot compatible with Raleigh’s brainwaves and
fighting style.
There is this cute Japanese woman hanging
about Robot Construction Central named Mako (Rinko
Kikuichi) who seems to be the ideal candidate
since she is rebuilding Raleigh’s old robot, has
high test scores, she’s hell on the Bo Staff, and
not to mention her and Raleigh’s natural chemistry
together, but alas the Marshall won’t let her play
because she has mental issues. But who
doesn’t, right?
That is until he has no choice but to let
her play. The monsters are coming, they’re
getting bigger and meaner, and now we know they
actually have a method to their madness. This
thing the Marshall wants to do… it has to happen
and now. What is
this plan? I’m
sure you must know that it involves a nuke. Come on
now. And those
other Jaeger’s we mentioned… might not be as much
help as we had originally planned. Invariably
the salvation of all of humanity will rest in the
shaky hands of a damaged Japanese chick and a
messed up American dude (played by a British
dude), off the coast of Hong Kong. Oddly
enough… I like our chances. There is an awful lot to like
about ‘Pacific Rim’. The robot / monster battles
are just ridiculously awesome, the attention to
detail of the worlds created by the creative mind
of Guillermo del Toro are amazing to look at, the
film moves at a pace quick enough so that the
audience will never be bored or have a wandering
mind, but not so fast that you can’t submerse
yourself into the glorious images that you will be
taking in. This
is almost the perfect summer blockbuster and I
enjoyed ‘Pacific Rim’ more than all three of those
three ‘Transformers’ movies combined, if we’re
going to keep it on the giant robot vibe. Though
I gotta admit, the visual ‘Wow’ factor of that
first ‘Transformers’ is still pretty high. Here’s the thing though. I just
didn’t get the movie that I was hoping for, and
quite honestly that’s on me, not the filmmakers. There’s
a scene in this film were five year old Mako (Mana
Ashida), via flashback, is running through the
streets of what I assume is Tokyo, with a crazed
giant monster on her tail. That
scene, at least to me, was perfect. That’s
the movie I wanted to see. So
while the first five minutes of ‘Pacific Rim’
consisted of a quick primer on the appearance of
the monsters, the birth of the Jaeger program, all
of the rigmarole that went with being a rock star
pilot to the eventual failure of the program and
the potential extinction of man… The film that I
would’ve preferred
to have seen play out for the next two plus hours
is that first five minutes. And as
I told a friend of mine, I’m also not much of a
fan of monsters with agendas. I like
my monsters to wreck stuff simply because stuff is
in their way.
We could also mention that almost all the
actors in this movie, outside of Idris Elba’s
character and his penchant for giving rousing
speeches, all kind of blended into the lush
scenery of this movie, no one really standing out,
but it is difficult to stand out against the
backdrop of robots drop kicking giant monsters
that spit acid I guess. All that being said, I still enjoyed the film an awful lot. Del Toro is a visionary and his talent is on full display in almost every frame of this movie. Not the film I might’ve wanted, but I’m more than content to take what I got. |
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