Reviewed by Christopher Armstead |
|||||||||||||||
Writing reviews of some of these
films can be really difficult people. For
instance, I’ve been struggling with writing a review
for ‘Half Nelson’ for a couple of weeks now because
it’s such an unconventional film. You see
‘Half Nelson’ isn’t the kind of film you ‘love’ or
‘hate’ as it kind of just sits you in front of a
window of some dudes life and asks you to observe. Then
there’s absolute garbage like ‘The DaVinci Treasure’
which pretty much write themselves. It’s a
sad thing in our society when it’s easier to lob
grenades than to toss praise, but it’s also a sad
thing in our society that there’s movies around like
the ‘The Da Vinci Treasure’. If you’re not familiar with the
works of The Asylum, the little film studio that
released ‘The Da Vinci Treasure’, allow me to
educate you slightly. The Asylum rushes video
releases out to coincide with some big studio’s
theatrical release.
So when ‘Snakes on a Plane’ hit theaters,
the Asylum hit us with ‘Snakes on a Train’ (I
honestly thought this one was joke – it ain’t).
Pirates of the Caribbean? How
about Pirates of Treasure Island. The
Omen? How
about ‘666: The Child’. So to coincide with the
release of what I thought was the most boring
movie of 2006 ‘The
Da Vinci Code’, the Asylum comes with ‘The
Da Vinci Treasure’.
Upon receiving ‘The Da Vinci Treasure’ I
was ready to write the headline, ‘It’s crappy, but
at least it was better than the Da Vinci Code’. But I
had yet to see the movie though. Now I
that I have actually seen it, I can only write the
headline ‘It’s Crappy’. Not to spend too much time on the plot, but C. Thomas is Michael Archer, a low rent Indiana Jones archeologist who steals priceless artifacts. The film opens with Archer |
|||||||||||||||
wearing night goggles as he sneaks
into some dudes house. The problem with the night
goggle thing is that the place is fairly well lit,
and like you can see everything pretty well with
regular old eyesight, but then we wouldn’t have the
cool, looking 'through the night goggle' effect. Michael
is chasing some treasure attempting to reach it
before evil archeologist Dr. John Coven (Lance
Henrickson) gets it.
The key to this treasure happens to be The
Shroud of Turin, which of course is the blanket that
Jesus was laid before he resurrected himself. Things
start to get stupid when Michael’s sexy archeologist
partner Giulia (Nicole Sherwin) tells Mike that her
Godfather the Cardinal may know where the shroud is
located. Though
we may have thought the shroud is at the Vatican,
but that one’s a fake. The actual shroud is in a
basement of the Cardinals church in California. Go
figure. As Da Vinci sinks irrevocably into
stupidness, the bad guys come to church and
immediately pump the Cardinal full hot lead. The
heroes grab the shroud, which is not nearly as
protected like, say, the Arc of the Covenant, toss
it in laundry bag and flee. Yes, a
laundry bag. Now
the bad guys catch the good guys and take the
laundry bag, but let them live. Mind you,
seconds ago they just killed a Catholic Cardinal for
no reason but they let these clowns live. This will
lead our heroes to Afghanistan and beyond to find
the Da Vinci Treasure. Now one might question how in the
hell did Leonardo Da Vinci manage to put a treasure
map on the cloth that Jesus allegedly was wrapped
in? Keep asking, because ‘The Da Vinci Treasure’
isn’t going let you know. But the lameness of the
narrative aside, the most annoying thing about ‘The
Davinci Treasure’ was the constant cuts and zooms
and freezes that went on through out the entire
movie. In
one scene, our heroes were walking in a cave, and
the camera zooms in and freezes on a stick. A stick! Why did
they do this, I don’t know. Gentlemen,
you can’t put perfume on a pig. Well, I
guess you can put perfume on a pig, but all it does
it make you wonder ‘Why in the hell did they put
perfume on that pig?’
I mean the pig stank before, but now it’s
stank mixed with perfume which equals double stank
and draws your attention squarely to the stank. With the possible exception of Nicole Sherwins’ constantly heaving cleavage, there is nothing good about ‘The Da Vinci’ Treasure. C. Thomas Howell and Lance Henrickson seem to be in competition to see who looks the scraggiest, the story is stupid to a fault, and the only entertainment value is from unintended humor. Oh well, far be it from me to criticize the Asylum as they must be making cash on this stuff or they wouldn’t keep releasing it. I’m sure we’ll be seeing an Asylum release called ‘Dreamgals’ or ‘The Pursuit of Lameness’. I can’t freaking wait. |
|||||||||||||||