Reviewed by Christopher Armstead |
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As we continue to revisit the
filmography of the recently passed Jim Kelly, can
we all come to the consensus that he possessed the
greatest afro in the history of cinema? I mean…
wow. I
try very hard not be envious of people and wishing
I had what they had, but I so envied Jim Kelly’s
afro. Big
and round and perfect in every way. And it
never got messed up, no matter how bad the fight
he was engaged in.
I had a ‘fro when I was a kid. Lopsided,
airy, crooked, uneven… and then Jim would show up
in some movie and completely mock my pathetic
afro. Say
like his afro in the film ‘The Tattoo Connection’
in which it was beyond awesome. The
movie wasn’t so bad either. In Hong Kong, a daring daytime
heist has resulted in the snatching of The Diamond
of Legend. We
just called it that. Back stateside the insurance
company that has insured this diamond for 3 mil
knows they will go under if they have to pay out,
which begs the question why they insured it in the
first place, but we’re not going to ask that. Fortunately
they have a new hire, a former CIA badass by the
name Mr. Lucas (Kelly) who claims he is often
called the Black Six Million Dollar Man. I don’t
know who called him that but they need to stop,
because its dumb. Back in Hong Kong this heist was
pulled off by the Lu gang, led by Boss Lu (Sing
Chen). Boss
Lu has a right hand man in Tin Hau (Tao-Liang Tan)
who kicks much ass, but has the misfortune of
having a real pure heart which doesn’t lend itself
well to the gangster game. Another
thing that’s probably isn’t in Tin Hau’s best
interest is his love for Lia the Dancing Girl
(Nami Misaki) as she is the property of Boss Lu
and he can have her anytime he wants. And she
tends to whine an awful lot. Boss Lu is concerned as there is a Black Man with a perfect afro in his town asking questions, and he can’t have that. He declares that Lucas must be made dead, and soon. Uh… good luck with that. Thus we have the initial meeting between the ultra cool Lucas and Tin Hau, the man with the lethal feet who will ask Mr. Lucas during the fight ‘how do my feet taste’. Truth of the matter was that the fight was a standstill, but they will meet again. |
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The fact that Lucas escaped death so
easily does not please Boss Lu, so against Tin Hau’s
wishes, and observing Lucas has a thing for the
dancing girl, he dispatches her to seduce him and
then put this fancy new drug from America in his
drink. Now
check out what this drug does… it’s instantly
addictive, it quickens the heart rate, it then kills
you and it looks like little rocks. I don’t
know if ‘The Tattoo Connection’ knows this or not,
but they just invented Crack Cocaine for this movie. Oh, and
that didn’t work either. I’m no secret agent, but if
I’m pushing up on a chick one day and she tells me
to get lost because I’m black, then the next day
she’s all gung ho to go back to my place, I know
something is up.
Eventually Lucas is able to track
down the Lu gang, and eventually he and Tin Hau are
going to have to go head up for real. Also,
eventually, since Tin Hau and Lia want to leave the
game, not realizing that there is never any way out
of the game, he’s going to have to go head up with
Boss Lu as well… and Boss Lu has crazy skills. Let the
Kung Fu fighting commence. What we have here with ‘The Tattoo
Connection’, often labeled as ‘Black Belt Jones 2’
for no real reason since Black Belt Jones isn’t in
this movie, is a fairly straight forward kung fu
flick with one key omission and one key addition. The
omission would be no murdered Master in this movie,
and the addition would be the inclusion titties. Lots of
them. So
in that sense, now that I think about it, ‘The
Tattoo Connection’ plays out more like one of those
Sonny Chiba Japanese exploitation films than a
traditional kung fu flick, which totally works for
us over here at the FCU. Since we’ve deemed ‘The Tattoo
Connection’ an exploitation film, this means it is
automatically excused from having to make too much
sense. I
mean you would think a three million dollar diamond
would be a little better protected, and you’d think
Hong Kong police might have an issue with some
brother from the USA walking around town snapping
the necks of various citizens of their town, even if
they have it coming.
It’s not like Lucas is a cop or anything,
just some random guy beating folks up in Hong Kong. But sense making in an action /
exploitation flick is negligible if the action is
good and the exploitation is plentiful and ‘The
Tattoo Connection’ comes through in spades in these
categories. Jim
Kelly has never been cooler, his ‘fro has never been
more perfect, his moves have never been crisper…
clearly proving that having Hong Kong kung fu
professionals choreograph fight sequences works way
better than having certain American directors film
fight sequences.
And we’re looking at you Robert Clouse (Black
Belt Jones) and Al Adamson (Black Samurai). The
narrative blows past plot points and logic as if
logic were on fire, keeping the movie constantly and
motion, only occasionally slowing down to show some
woman’s breast in the most gratuitous of ways. The tragedy of ‘The Tattoo
Connection’ is that apparently there were problems
on set which pretty much ended Jim Kelly’s potential
Hong Kong film career, a career I’m certain would’ve
easily eclipsed his spotty American film career. This
makes us sad.
But at least we have the ‘Tattoo Connection’,
a seriously fun slice of action and nonsense that
should bring a smile to the face of almost every fan
of this genre.
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