Somebody or something is stealing the
          children of Cold Rock Washington, and they've given this
          something a name… The Tall Man.  It's also the name of
          this movie directed by Pascal Laguier, one often labeled as a
          horror thriller when more accurately it's more of a drama that
          ends with a discussion on the politics of class.
          
          If this movie does one thing well, it sure makes the mythical
          town of Cold Rock Washington one helluva miserable place to
          live.  A young girl is narrating the piece, describing to
          us how her town is dying and what a hell hole it is, but that
          was unnecessary to be honest with you because I didn't need
          her help to see this.  That aside, we'll be spending some
          quality time with Julia Denning (Jessica Biel) here at Cold
          Rock, a widowed nurse who has been tending to the townsfolk
          ever since her husband, the town doctor, passed away.  On
          this particular day Julia is delivering the baby of a young
          Carol (Katherine Ramdeen), daughter of the deliciously trashy
          Tracy (Samantha Ferris) and older sister to the adorably cute
          but mute Jenny (Jodelle Ferland).  Thing is the father of
          this baby seems to be Tracy's boyfriend Steven (Teach Grant)
          which you would think would grant Steven a sound reprimand
          from his girlfriend but apparently live-in boyfriends knocking
          up family members is commonplace in Cold Rock.
          
          After a hard day's work, Julia likes to come home to play her
          young son David (Jakob Davies) and unwind a bit… but the
          specter of The Tall Man is never far behind.  In fact, it
          looks like The Tall Man has paid the young mother a visit and
          now David has been taken with Julia desperate to get him back,
          no matter what.  
        
     
    
      
        Now here's where things get a little
          weird.  Julia had a really rough night trying to get
          David back, being dragged along by truck, getting into a car
          accident, and attacked by a vicious German shepherd all before
          collapsing on a cold street, with her child still nowhere to
          be found.  Eventually she's picked up by the G-man
          investigating the case (Stephen McHattie) and taken to the
          local diner… which in itself was curious since the woman
          obviously needed to be taken to a hospital… but the folks in
          the diner are staring at her real strange-like.  I mean
          it looks like the town of Cold Rock might be in on the taking
          of these children and things are looking a little ritualistic
          around here.  Or not.  
          
          Whatever is going on, Julia is going to risk everything to get
          her son back… though… as is often the case in these things…
          all isn't what it appears.
          
          While the overall, bottom line product of 'The Tall Man' does
          leave a little to be desired, basically crumbling under just a
          little bit of post-movie scrutiny, Pascal Laguier's film does
          have some rock solid elements working in its favor. 
          Let's start with the oppressive atmosphere that we mentioned
          earlier because the director did a great job in making Cold
          Rock someplace we really didn't want to be.  It's dark,
          it's gray, it's cold, and the place looks completely hopeless,
          a place where nothing can grow, which I imagine was kind of
          the point.  Then let us add to this a very fine
          performance from Jessica Biel who did her best to look as
          plain as humanly possible, and even without makeup we're not
          completely sure she pulled this off, but her performance was
          critical in keeping the audience off balance for whatever was
          going to revealed to us later on, and she hid her hand
          exceptionally well.  And while the story itself might be
          a little on the ridiculous side as it ultimately played itself
          out, I do have to hand it to the director in that it did keep
          you guessing and on your toes pretty much to the very end as
          to what was going on.  And, unlike some movies that we've
          seen recently, it explains pretty clearly what was going on.
          
          Oh… but it is what was revealed to us is where 'The Tall Man'
          skidded off the tracks.  Without giving anything away I
          have to think that if children are systematically being stolen
          from a single community over a period of, I don't know, two
          years… I would imagine that more than one downtrodden agent
          would be dispatched to investigate this atrocity.  Now
          considering this is a movie about the benefits of class, it's
          thrown out there that nobody cares because these kids are
          poor, but as an argument that's too simplistic.  
          
          Again, without giving thing away because it's pretty important
          that nobody spoil this for you if you choose to watch it since
          spoilerage would pretty much negate any reason to really watch
          it, once we do get to the reveal and you are forced to play
          over what you have just seen in your mind's eye, this is when
          even the most basic things stop making sense.  And we'll
          just let it go at that.  You do have the option of not
          replaying these events in your mind and simply walking away,
          stunned at the reveal, but the film doesn't move fast enough
          to warrant this so you almost have no choice in the matter.
          
          Regardless, 'The Tall Man' isn't without merit as it has some
          solid elements holding it up.  But as far as the
          narrative is concerned, considering where the story was going,
          I can't think of any kind of logical fix for it because it's
          built in.  No wiggle room.  We're stuck with it, and
          this would be the ultimate downfall for a film with a lot
          going for it.